It’s called Deadly Weapons and stars the appropriately named Chesty Morgan.ħ.
CINEPLEX SERIAL MOM 1994 MOVIE
Speaking of hooter movies, here is a clip from the nudie cutie movie that Scotty yanks one off to. Things I still do today, as a matter of fact.Ħ. What I’m saying is that Beverly Suthpin reminds me of all of my friend’s mothers - the ones who looked like they were going to kill me when I took one too many slices of pizza or talked to loudly about something stupid. I grew up in a cultural environment not too dissimilar from the one depicted in Serial Mom, with most everyone preaching about maintaining an upstanding lifestyle before going home to masturbate to something you probably shouldn’t masturbate to. Barry Manilow, the preferred music for psychotic moms everywhere.ĥ. There’s a lot of pig innards in it, and a rather gnarly scene where he rips out a girl’s tongue, it’s all so low budget and poorly made that it ultimately comes off rather harmless.Ĥ. The super violent movie that Matthew Lillard watches with his friends is the Herschell Gordon Lewis classic Blood Feast, a dumb but fun splatter movie about an insane caterer who fixes a massive feast out of various ladies’ body parts. My personal favorite is the guy whose past time is writing lewd phrases on bathroom walls. One lady likes it when her dog licks her toes, there’s the one kid and his affinity for 60’s hooter movies, and let’s not forget the detective and his subscription to “Chicks With Dicks” magazine. Just about everyone in this movie leads some perverted double life. Beverly Sutphin kills those that break from the perfect suburban mold, people that don’t recycle, don’t wear their seat belts and, worst of all, don’t rewind their video tapes - the kind of people whose rampant hypocrisy and lack of empathy can just make you blood boil.Ģ. Serial Mom might be the ultimate baby boomer satire, a film that takes an iconic beauty of that generation, Kathleen Turner, and sets her against the frigid, nightmare society that their stuffy parents’ built for them. That prospect tickles Waters.Friday, May 8 & Saturday, May 9 Midnightġ. He has no plans for retirement Waters hopes to keep grinding until “the day I drop dead.” He cites as a role model the late Joan Rivers, who used to joke that if her fans were lucky, she would die in the middle of a stand-up set-and they would forever get to tell people they were there when it happened. So, Waters is still working, writing his book and dreaming up edgy Trump material for his frequent live performances. They used humor as terrorism, and I’m all for that.”
If Waters could summon someone to effectively mock Trump out of the White House, he would call on the late anarchist activist Abbie Hoffman and his crew of like-minded protesters. “That’s what fag hags are called within the adult baby movement.” if he is calling his wife ‘mommy’ or ‘mother,’ well, that’s what adult babies do,” he continues. “All powerful men-ask any hooker-they like to lose power. Why? Because, the filmmaker explains, the vice president calls his wife “Mother”-which means he might be “an adult baby.” Waters, by the way, spits out the word “mother” like it’s a horrid slur, a funny reversal coming from the king of blasphemy. “That’s the only way to get him-but the scariest thing is if he’s gone, we have Pence, who’s even worse,” says Waters. (Waters is especially fond of dreaming up Trump-inspired porn titles, like Comb Over and Blow Me.) Though few things shock Waters, he is still human (don’t tell!) and is finding ways to use his art to cope with devastating political news-by, for example, writing profane jokes about President Trump, which he hopes will “humiliate” him. “Even when she was in Trog, she acted like she was in Long Day’s Journey into Night,” he explains. Waters’s adoration of Crawford runs so deep that when the British Film Institute in London asked him last year to select his favorite British films, Crawford’s truly “embarrassing” final project Trog was on his list.
CINEPLEX SERIAL MOM 1994 FULL
Meeting Jessica Lange, who plays Crawford, was a delight for the filmmaker, especially since she was constantly in full Joan drag. Waters never met Crawford or Davis, but is a dear fan of both actresses as well as their late-career hagsploitation films. Sam Waterston and Kathleen Turner with John Waters on the set of Serial Mom, 1994.
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